It is one of the ironic facts of high society life that superior imagination
will never, in the final analysis, gain equal footing with superior reserves of
inherited cash.
However much acclaim, or money, the artists, sportsmen and entrepreneurs
who provide amusement for the very rich may accumulate in life, when the Blue
Book goes to press there can be no mistaking just who is holding all the face
cards.
For some, that is a painful, stubbornly resisted lesson. John Morrissey,
for one, never really did learn it. As much as any other person, Morrissey
built the framework for modern Saratoga Springs, introducing both horse racing
and casino gambling to the Spa City. Neither did he neglect to mind his own
interests, amassing a personal fortune and pursuing a successful, if somewhat
suspect, political career in the service of New York City’s Tammany Hall
machine. But for all his money, for his seat in the United States House of
Representatives (and later in the New York State Senate), and for his pivotal
role in the development of Saratoga’s principal summer attractions,
Morrissey never was able to gain what was finally his fondest
goal—acceptance into the finest social circles for his beloved wife, Susie,
if not for himself.
The best people, after all, had only to look at John Morrissey’s
more-than-tainted background to see that he was only in the Club House because
he owned it. Morrissey, the son of Irish immigrants, had grown up in Troy
during the 1830s and 40s and largely on the streets. Schooled principally in
such pursuits as street-fighting and hustling, he did not learn how to read or
write until his nineteenth year. But he had by that time already developed his
more basic skills to an exceptional degree, earning a reputation as a very
tough young man and, on several occasions, attracting the attention of local
law enforcement officials over matters ranging from assault and battery to
assault with intent to kill.
From Troy, Morrissey moved on to New York City where he went to work for
Tammany Hall as leader of that organization’s Dead Rabbit Gang, a band of
toughs charged with keeping a careful eye on New York voting trends. In the
spirit of the day’s politics, he and his colleagues were charged by the
bosses with re-educating dissident voters whenever necessary by beating them
to within an inch of their lives. It would appear that the young Trojan
excelled at his work, because his rise through Tammany ranks was rapid.
At the same time, he was able to use those talents to pursue an athletic
career, taking time out from politics to become the heavyweight boxing
champion of the United States. In the unrelenting and illegal version of the
sport that was then practiced, fighters punched and grappled, bare-knuckled,
to the finish, and each round ended not by a bell but by a decisive
knock-down.
Morrissey secured the championship in 1853 in a still-legendary 37-round
brawl with title-holder Yankee Sullivan at Boston Corners, New York, near the
Massachusetts line. It was a fight he probably lost by most measures, but one
he won on a technicality in the midst of mayhem. “Old Smoke,” as he was
nicknamed after a barroom fight landed him on top of smoldering coals and
convinced his audience he was impervious to pain, continued to fight until
1859.
With all that, Morrissey was still in his thirties when he was elected to a
term in Congress representing Tammany turf. The Congressional Record indicates
that the Irish pugilist contributed little to the turbulent political
landscape of the 1860s, however. He is perhaps best remembered, in terms of
that chapter in his career, for his offer in the course of a heated debate on
the floor of the House to “lick any man in Congress.” By that time,
though, John Morrissey had established himself, and distinguished himself, in
other pursuits as well.
Beginning with a small gambling house in New York City, he had developed a
growing gambling empire. About the same time that much of the nation was
focused on the outbreak of the Civil War, Morrissey was casting his sights
north to the already thriving resort of Saratoga, where he was determined to
offer games of chance to the Spa’s prosperous, bathing vacationers.
His first casino there proved to be a formidable temptation for the
well-heeled summer folk. It was followed in short order by the town’s first
race track and, before the end of the decade, by the much grander Club House,
which for many years set the pace for Saratoga gaming emporia, to be surpassed
only by the Canfield Casino.
At about the same time, John and Susie Morrissey, settling into middle age,
found themselves as strongly attracted to the forms and functions of society
life as were the socialites to the track and Club House. Some of Mr.
Morrissey’s rougher edges had already been polished away and his facile
Irish charm went a long way to hide the others. For her part, Mrs. Morrissey
was of gentler birth and possessed in abundance whatever social skills her
husband lacked.
Still, time and again, the couple was ostracized by the very society that
turned to them for amusement each summer. When they went looking to purchase a
suitable estate in Morrissey’s native Troy, a sparkling center of industrial
wealth, they found that none among the city’s elite would sell to them at
any price. (In retaliation, they built a soap factory between the Hudson River
and the fashionable neighborhood they aspired to, causing the gentle river
breezes to turn acrid.) When invitations went out, the Morrisseys—common if
very rich gamblers—were repeatedly snubbed. As it turned out, it was not
until John Morrissey’s death in 1878, when he was only 47 years old, that
the society to which he had contributed so much paused to notice what were
after all the remarkable accomplishments of the once impoverished and
illiterate child of immigrants. The New York Times eulogized him at length
while the flag at City Hall flew at half-mast, and 19,000 Trojans who would
not have their native son as their neighbor in life marched somberly behind
his coffin as the springtime rains fell.